"A Cyborg Manifesto" is an essay written by Donna Haraway and published in 1984. In it, the concept of the cyborg is a rejection of rigid boundaries, notably those separating "human" from "animal" and "human" from "machine." She writes: "The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust."

A gang of unruly teenagers cut school and go joy-riding around "the Net" on their hopped-up portable computers, committing casual acts of vandalism and just generally being a$holes. Our hero is a good kid who's fallen in with a bad crowd; his parents eventually realize something is wrong and try to suppress the relationship. This results in the kid finally using his technical skills for deliberate purpose, to rebel against his parents -- and to win, because the paradigm shift is completely in his favor.

Set in a future where the United States has largely broken down into reluctantly cooperating enclaves run by a wide variety of strongmen and warlords, with a veneer of government control that seems largely interested in controlling technology. Dr. Adder is an artist-surgeon, who modifies sexual organs of his patients to satisfy the weirdest of perversion; he is clearly depicted as a partly criminal, partly countercultural figure in a future Los Angeles.

Ten years ago the world's governments collapsed, and now the corporations are in control. Houston's Pulsystems has sent an expedition to the lost Martian colony of Frontera to search for survivors. Reese, aging hero of the US space program, knows better. The colonists are not only alive, they have discovered a secret so devastating that the new rulers of Earth will stop at nothing to own it. Reese is equally desperate to use it for his own very personal agenda. But none of them have reckoned with Kane, tortured veteran of the corporate wars, whose hallucinatory voices are urging him to complete an ancient cycle of heroism and alter the destiny of the human race.

Henry Dorsett Case is a low-level hustler in the dystopian underworld of Chiba City, Japan. Once a talented computer hacker, Case was caught stealing from his employer. As punishment for his theft, Case's central nervous system was damaged with a mycotoxin, leaving him unable to access the global computer network in cyberspace, a virtual reality dataspace called the "Matrix". Unemployable, addicted to drugs, and suicidal, Case desperately searches the Chiba "black clinics" for a miracle cure. Case is saved by Molly Millions, an augmented "street samurai" and mercenary for a shadowy ex-military officer named Armitage, who offers to cure Case in exchange for his services as a hacker. Case jumps at the chance to regain his life as a "console cowboy," but neither Case nor Molly knows what Armitage is really planning. Case's nervous system is repaired using new technology that Armitage offers the clinic as payment, but he soon learns from Armitage that sacs of the poison that first crippled him have been placed in his blood vessels as well. Armitage promises Case that if he completes his work in time, the sacs will be removed; otherwise they will dissolve, disabling him again. He also has Case's pancreas replaced and new tissue grafted into his liver, leaving Case incapable of metabolizing cocaine or amphetamines and apparently ending his drug addiction.

In these 15 stories about robots and androids, Philip K. Dick asks these questions. The answers differ with each story—in the fictional world and in the exploring mind of Dick the only certainty is change—but the author establishes some guidelines: “To be human, one must maintain his intellectual and spir­itual freedom at all costs. He must refuse obedience to any ideology; he must re­main unpredictable, unfettered by pat­terns and routines.”