The story begins with the introduction of Iris, a female Blade Runner, and the best in her unit. Meyer - her boss - tells her that the blade runner division is in danger; far fewer replicants are coming to Earth, and thus the economic value of the blade runners is dropping, giving the risk of a "reorganisation". Meyer gives Iris the assignment to track down an owl - an extremely rare, real owl, named Scrappy. Iris is skeptical, since if the owl is real (and thus not a replicant) the case seems to be nothing to do with the blade runners, but she accepts the job anyway.

Cyberpunk and Cyberculture explores the work of a wide range of writers- Acker, Cadigan, Rucker, Shierley, Sterling, Williams and, of course, Gibson - setting their work in the context of science fiction, other literary genres, genre cinema - from Metropolis to Terminator to The Matrix - and contemporary work on the culture of technology.

A Song Called Youth, Book 3.

A Song Called Youth, Book 2.

The Twin Novae battle had been one of the last of the Idiran war, one of the most horrific. Desperate to avert defeat, the Idirans had induced not one but two suns to explode, snuffing out worlds & biospheres teeming with sentient life. They were attacks of incredible proportion--gigadeathcrimes. But the war ended & life went on. Now, 800 years later, light from the 1st explosion is about to reach the Masaq' Orbital, home to the Culture's most adventurous & decadent souls. There it will fall upon Masaq's 50 billion inhabitants, gathered to commemorate the deaths of the innocent & to reflect, if only for a moment, on what some call the Culture's own complicity in the terrible event. Also journeying to Masaq' is Major Quilan, an emissary from the war-ravaged world of Chel. In the aftermath of the conflict that split his world apart, most believe he has come to Masaq' to bring home Chel's most brilliant star & self-exiled dissident, the honored Composer Ziller. Ziller claims he will do anything to avoid a meeting with Quilan, who he suspects has come to murder him. But the Major's true assignment will have far greater consequences than the death of a mere political dissident, as part of a conspiracy more ambitious than even he can know--a mission his superiors have buried so deeply in his mind that even he can't remember it.

This hilarious finale to the award-winning series offers more cutting-edge science, raucous social satire and deeply informed speculations from one of science fiction's wittiest writers (San Francisco Chronicle).

Superman: he can bend steel, leap tall buildings, and is faster than speeding bullets...but can he save the future?! The sentient computer known as Skynet has been sending Terminators into our present to find and destroy a boy named John Connor. Not just any boy, he will grow to lead a resistance force against a massive robot army that has brought mankind to the brink of extinction. Now the Terminators are hunting for young Connor in Metropolis. But Skynet didn`t plan on the Man of Steel coming to the rescue...or did it? As the battle to save mankind rages in the Metropolis of the present and the future, will the combined might of Superman, Supergirl, Superboy, and Steel be enough to stop the deadly killing machines -- and their new ally, the Cyborg-Superman -- from terminating John Connor? And will Lex Luthor lend a helping hand...or does he have something more sinister in mind for the Terminators? The ultimate battle for the future ends here -- and the results will shock you! Co-published with DC Comics.

Investigative reporter Spider Jerusalem attacks the injustices of the 23rd Century surroundings while working for the newspaper The Word in this critically-acclaimed graphic novel series written by comics superstar Warren Ellis, the co-creator of PLANETARY and THE AUTHORITY.

TRANSMETROPOLITAN: I HATE IT HERE is a collection of snippets from Spider's weekly newspaper column and each piece is illustrated by a new and talented artist.