A collection of eight stories, "Cyberabad Days" is a triumphant return to the India of 2047 (the India of River of Gods ); a new, muscular superpower in an age of artificial intelligences, climate-change induced drought, strange new genders, and genetically improved children.

Dick’s heady sci-fi noir, the inspiration for the movie Blade Runner, is adapted into an experimental comic that includes the full actual text of the novel. Rick Deckard, a San Francisco P.I. or “blade runner,” is tasked with hunting down a group of highly advanced androids that have escaped their off-world colony and are on the loose. As he takes down each one, though aspects of his own identity come into question.

In the near future, the living and the dead share the same space. Most of the "Blue Lights" are harmless, witless drones, as lost in death as they were in life. Some want revenge. Some want power. Some even want company to join them in the ranks of the departed.

The future should have been perfect. Microscopic robots known as nans could repair any damage to your body, keep you young by resetting your cellular clocks, and allow you to download upgrades like intelligence, muscle strength, and eyesight. You were supposed to be able to have anything you wanted with a simple thought, to be able to fly without the aid of a machine, to be able to live forever. But when a small group of five terraformers working on Venus return to Earth, they discover that every other human in the solar system has been gruesomely murdered. Now, James Keats and his four companions must discover what happened to the rest of humanity and fight back if they wish to avoid the same, horrifying fate. Welcome to the post-human era.

The year is 2018. With John Connor as the voice of the resistance, the scattered remnants of humanity find themselves united against their common enemy - Skynet and its Terminators. Through a patchwork system of radio transmitters, hacked satellite phones, and encrypted computer networks, resistance leader Elena Maric in Detroit and Nigerian mining engineer Bem Aworuwa have formed an unlikely friendship and drawn up battle plans to take the fight to the Terminators!

The Terminator is back as Dynamite once again puts John Connor up against Skynet and the dark future as envisioned in the blockbuster films! Helmed again by writer Simon Furman, joined by artist Lui (Red Sonja) Antonio and cover artists Richard (Dark Tower) Isanove and Stjepan Sejic, Revolution tells a story set in the dark future of the Terminators and the present day where John Connor and his mother, Sarah, are on the run from the enemies sent against them from the future!

The world of 2060 is divided into three spheres of influence, each fighting with the others over the resources of fallen nations and an environment degraded almost to the point of no return. There is the Dispensation, centered in Los Angeles, where entertainment and capitalism have fused with the highest of high-tech. There is the Acquis, a Green-centered collective that uses invasive neurological technology to create a networked utopia. And there is China, the sole surviving nation-state, a dinosaur that has prospered only by pitilessly pruning its own population. Products of this monstrous world, the daughters of a monstrous mother, and–according to some–monsters themselves, are the Caryatids: the four surviving female clones of a mad Balkan genius and wanted war criminal now ensconced, safely beyond extradition, on an orbiting space station. Radmila is a Dispensation star determined to forget her past by building a glittering, impregnable future. Vera is an Acquis functionary dedicated to reclaiming their home, the Croatian island of Mljet, from catastrophic pollution. Sonja is a medical specialist in China renowned for selflessly risking herself to help others. And Biserka is a one-woman terrorist network. The four “sisters” are united only by their hatred for their “mother”–and for one another.

Manhattan, as you know it, is underwater. The government, in an effort to maintain the delicate balance between a growing population and dwindling food supplies, regulates childbirth rates in the few remaining cities. Those born illegally are hunted down and killed by lifeless corporate-sponsored machines programmed to perform the dirty work of their makers. The media embraces this law. The people embrace this law. The only opposition comes from those children whose lives are forfeit the moment they exist. What were once deadly street gangs, the poor and huddled masses have evolved into revolutionaries fighting for the basic human right to live.